
Lars Frederiksen and Branden Steineckert of Rancid, combining two of my favorite things: soccer & awesome hair. Now if they can just grab Tim. And maybe disrobe a little.
Stolen from Branden's facebook.
Here's why:
1) Boom-shacka-lacka-lacka-lacka-boom. Seriously, who else, outside of Sha Na Na, has the cajones to do this? Matt Freeman's feral growl threatens to annihilate with just one lacka anyone who snickers.
2) Mandolins. All over the freaking place. Banjo on the acoustic disc. Was that a dobro? Risks taken.
3) No leitmotif, no 'concept', no cause. If there is one singular message this album tries to send, it's that this is a place where everyone can belong.
The best parts of this record: the choruses, especially Lulu and New Orleans; the bounce - goshdarnit, you can actually dance to Up to No Good; Brandon Steineckert's talent and the way he's just been absorbed by the band - just, wow. Like an amoeba feeds. Or The Borg assimilate.
The worst parts: pronoun agreements. The English major in me balks at 'to all our friends, on this I swear' - it's a personal problem, yes; and the multitude of choices to purchase. The basic cd. The expanded cd with the acoustic cd and dvd. The super-expanded-deluxe cds/dvd/vinyl/kitchen sink version. Which would not bother me so much if all the tracks were available in one purchase. I don't like the iTunes special tracks. But at least, they didn't go the way of so many artists and release the cd. Then six months later, release the expanded version. And, just in time for Christmas, release the special outtake version. Thanks for that, guys.
Civilian Ways is getting a lot of love, as it should. But for my money, all $32.58 including shipping, the best song Rancid has done to date is New Orleans. The chorus is full of beautiful similes - I particularly love scar on her velvet face one - and the last verse of 'it rained all night in New Orleans' sung with some rough emotion well, that's just killer. The acoustic version brought a tear to my eye.
Hear for yourself.